They began to allow people to ehe theater. Billy entered with Raimon, who was nervously trying to keep everything in order. He maintained his posure as best as he could as if he were someone else. Sihey met in San Jose, he was dressed in jeans and a button-down shirt, quite different from the many hoodies he used to wear.

  The movie started with a bang, and immediately, he noticed the first ge: a mae ected to a puter dispyed a green face, and a human face took over, with a robotic voianding the execution of file 37b-2 to eradicate the human race.

  There aradoxical and different se, yet it gave Billy an impressive feeling. It tained intriguiails that kept him intrigued. Dolph Lundgrerance ic, almost as much as in the first film. How did Cameron cover for the absence of superstar Arnold? With the meticulousness of someone who could do everything that Arnold did. Lundgren's rugged appearance was impressive. The Swede had his signature and bined with Cameron's touch, it provided certaiails of a smoother approapared to Schwarzenegger.

  The following ses tinued Cameron's charm – how to create a film that holds the audience's attention for two hours without losing them. Linda Hamilton's story is presented in a much stronger way, from a women's prison to a ter for help with violent and crazy behavior.

  It's undoubtedly a plot with a different character, but essentially the same. Even the famous line "Hasta vista, baby" makes an appearance, elig a surprised groan from the audiehe development of the cyberpunk element that Billy introduced into the script, given to Cameron, is marked by a series of surprisiails, causing multiple dissonances for Billy.

  Dr. Miles Dyson, who was responsible for the revolutionary project for humanity's future, is turned into a robot by the maes after numerous experiments. He bees one of the major brains behind the operation. This time, the T-1000 follows ands issued by Miles Dyson. However, the T-800 possesses this valuable information and lures the T-1000 into a trap, expining the future to Miles Dyson. Initially, he de, but ter accepts it and helps to avert Judgment Day, creating suspehat the inal movie cked.

  Everything culminates in a chilling ending, where John or alludes to his role as a leader, embrag his responsibilities as the future head of the revolution against the maes. This leads to T-1000 gravely injuring him, but he is saved by the T-800, Dolph Lundgren, in a final sacrifice.

  At the end of the movie, John or wakes up in the hospital and doesn't find his mother. The police arrive with Miles Dyson, the stist behind the Sky project, who seems ged, different. His testimony leads to his vi to a juvenile correal facility, where his determination is strengtheo lead the life he desires. He is set to fight against the mae, Miles Dyson, who erated on by the T-1000 before the events as a backup pn in case somethi wrong – a detail not so evident in the film.

  The movie ends with a surprise twist by Billy, appreciating Cameron's innovation. Could a third movie be in the works? Everything is left to the imagination, but the audience doesn't hold back.

  Appuse begins to echh the theater.

  Notifications start ing in for Billy oer another.

  -Emotion point acquired: +37

  -Appreciation point: +13

  -Admiration point: +6

  -Emotion point: +31

  ...

  These notifications start repeating almost simultaneously for about a minute, and Billy is surprised. He's never had such a flood of notifications before. What's the reason? He doesn't know yet, but the disproportionately increasing points are telling.

  [395] Avaible points.

  To raise his drawing skill from 24.00 to 25.00 points, he needs 100 points. However, sidering his interpretation skill is at 20.00, he needs 200 points to get to 25.00. Thus, it's expected that he'll have enough to reach 26.00 points.

  [Interpretation: 24.48 - 25.00]

  152 points were spent.

  [Interpretation: 25.00 - 26.43]

  243 points were spent.

  Although the skill improvement might not be tangible, the system ies naturally linked abilities within the individual, almost like ara talent.

  -What's happening, Billy? The credits have finished rolling, - Raimon said to his right.

  -Yes, let's go! We o head to the hotel a some rest, - Billy responded, still lost in thought.

  They exited the theater with satisfa. The movie articurly well-received by general audiences, who watched it as spectators. Critics, oher hand, still delivered sharp critiques of the film. However, this time, they emphasized the plot, which veered away from the clichés of the previous life. One of the most detested points in the previous version, which critics strongly criticized, now led te of opinions. Some critics ht rejected the movie, while others advocated for rality, and some praised the new cepts introduced by Cameron.

  The opinions were more diverse and segmented pared to a previous life.

  -Billy Carson, great to see you, -Jim Waitt said, approag Billy. Jim had arrived a bit te and wasn't able to guide Billy through the intricate paths of his first signifit event.

  -A pleasure to meet you in person, Raimon. We've only spoken on the phone, -Jim said, extending his hand to greet Raimon.

  -Yes, you look a bit different from what I imagined, - Raimon remarked.

  -Different? - Jim inquired.

  -Yeah, younger. You sound more mature, - Raimon expined.

  -Doesn't matter. Let's go; I'll introduce you to someone who wants to meet you in person, - Jim suggested.

  In a rexed versation group stood James Cameron's first wife, Ed Harris, who still hadn't lost all his hair, David Fincher, and Dolph Lundgren.

  Cameron separated from the group and greeted Jim Waitt with a smile. After all, Billy's scriptwriting abilities were one of the factors that tributed to the success of his film

  -Billy Carson. You're undoubtedly youhan I imagined. My assistaioned your youth, but it still surprises me, - Cameron said.

  -A pleasure to meet you, Mr. Cameron. Thank you for the invitation; the movie was fantastic, - Billy replied sincerely, sidering this movie to be better than the first.

  -It is. I predict it'll make 300 million dolrs, - Cameron fidently stated, sidering it the best film he has made so far.

  -I believe it will surpass 400 million, Mr. Cameron, - Billy Carson said.

  James paused to look at him, his expression sharp. However, he didn't say anything; he doubted that statement.

  The distribution for Terminator was handled by Tri-Star Pictures, a pany acquired by Sony Corporation a year ago in the purchase from bia Pictures owned by Coong the movies that Tri-Star has been involved in distributing are examples such as Rambo, Iron Eagle, Short Circuit, Mountains of the Moon, Air America, and Terminator.

  Laurie Maald, currently w as aive at Sony Pictures, who is about to leave the pany, greeted James Cameron, whom she reized as a Tri-Star executive.

  -Excuse me for a moment, Billy. I o talk to Ms. Laurie. But, Jim, introduce him to Dolph and David, - Cameron said, addressing the woman at a nearby table.

  -Well, it's his night. Many executives want to talk to him. e o Dolph; he's simir to you, and this time he's just starting his career. Last year, he was in The Punisher with Marvel. Don't be fooled by his muscles; he's a very intelligent guy, - Jim expined.

  He's n; Lundgren speaks six nguages – Swedish, English, German, French, and Spanish. He holds a master's degree in chemical engineering, as well as a mathematics degree uhe Fullbright program. He has one of the most impressive resumes among Hollywood stars.

  -Dolph, David, and Ms. Bigelow, this is Billy, one of my ts and the swriter for Terminator, -Jim introduced.

  -Jim had mentioned a few things about you, - the six-foot giant respo over Billy.

  -A pleasure, sir, - Billy said, feeling quite small o the man.

  -Call me Hans, - the man said.

  David Fiepped aside; he's not a very talkative person. Even though he's close io Dolph, he looks much youhan his actual age. However, he extended his hand to Billy.

  -A pleasure, sir, - Billy replied to him.

  -The pleasure is mine. I had the opportunity to discuss the plexity of the film, but I gave much credit to your rule of suspending the closed ending for one open to interpretation, - David said.

  -Wow! Ahhh... I tried to build a web of lies. The protagonist hopes to end the world's end; it's just an illusion, - Billy said.

  "I sidered the same, although I would focus on the allegorical message of the mind and immaterial properties," David said.

  Surprising Billy with his acute insight, there's a lot in that sentence, and he could only grasp it on a superficial level. Is this the power of directors? There's certainly a touch of Ghost in the Shell involved.

  -You give me too much credit. I don't think I e up with such acute sarios, - Billy responded.

  -Well, it's something iing. I read the id your philosophiuances run deep. Maybe you just need a bit more reading to better evaluate your tent, - David said.

  -I'll take that into at, sir, - Billy said.

  -No problem. -

  Billy felt Raimon's peing gaze and knew he would have to start asking for autographs, putting aside their deep film discussion. He almost felt like they were calibrating him.

  He would start with Linda Hamilton, who was alo the bar, giving unpleasant looks to James Cameron's current wife, who returhem with equal iy, engaged in a stare-down.

  -Excuse me, Mrs. Hamilton, would you be willing to sign my ic? - Billy said.

  Linda Hamilton didn't pay much attention and sighe book effortlessly on the back cover.

  -Thank you, -Billy said, leaving the pce feeling a bit embarrassed.

  -You're wele, kid, - Linda murmured.

  The one was John or himself. There's no oer than someone of a simir age. At his side was an adult, perhaps his father uardian, Billy specuted, or maybe his agent.

  -What's up, man? - Edward Furlong said as he saw Billy approag.

  -Could you give me an autograph? -Billy asked, showing him the ic.

  Edward seemed surprised, and his chest puffed up.

  -Sure, man. This is the first time I'm doing this,- he happily said.

  Copying his name in fine, circur-touched cursive that crossed the middle.

  -Thanks, buddy, - Billy said.

  -No problem, - the guy who was just a year youhan Billy replied.

  -That's enough, - Billy thought, bidding farewell to the guy, handing the ic to Raimon, who clutched it to his chest like a schoolgirl. But he didn't say much more than a "thank you."

  -Let's say goodbye to Jim and the others. I have to get up early for school tomorrow, - Billy said.

  -Sure, I'll get the car ready, - Raimon said.

  Billy bid farewell to Jim, David, and Dolph.

  -You tell Cameron I'm heading to bed. He's in a meeting with the executives; I don't think he'll be leaving early. Take care, Billy, I'll be in touch with your pany, - Jim said.

  "Thanks," Billy said.

  He left with Raimon in the rental ear the airport.

  ...