October 26.

  9:00 pm.

  The process has beeless since Warner and Disney joined forces with a fixed idea tment the Lux Animation audienow, the ultimate alliance is divided into two fas. Firstly, Warner has felt the repercussions as some media outlets have ceased their critical ce since Billy, using his legal team, has categorized the panies on multiple fronts, including wsuits for various adverse situations and journalistic malpractice.

  A battle for power!

  Oher hand, Distempted to pressure Lux Animation, but their efforts were thwarted by manipution. Billy leaked the o the papers about ABd Disney's failure due to high costs and overexploitation. The neers beled it "the acquisition that precedes a downfall."

  -We’ve shut down Disney - Sarah Robles ented, g hands with Billy, while Andrew Simpson, the media liaison, was by her side, and Billy stood behind them.

  -Alright, alright… now let’s move on to the sdal. We o treat this as the final nail in the coffin. The stock market will crumble with Disney. We already have the position. We’ll annouhat Miramax’s problems with Disney, and many of the prets, might entirely block Disney’s exit. They reported their dividends iember, and there was a dee. If we add new grievances, we’ll only publish our movies in petition with Warner - Billy stated.

  Given the ive outlook, what remained unspoken was that Disney’s stock would drop to a historic low of 3 if they deyed their dividend distribution until February. Billy khis would happen. Not only with the children’s el but also with the additional trap of Miramax’s acquisition. Mandated by Miramax’s members, a quiet iation would take pce, followed by a public wsuit with Jeffrey Katzenberg and raising doubts about Michael Ovitz’s hiring.

  The impact would be catastrophic, which is exactly what Billy needed, as he had secretly ihers to attack the pany from different fronts.

  Any doubts? How to attack Warner? For now, Warner is solid. Despite its debt, it is strong enough to withstand a frontal attack. However, if Warner be crushed in other ways, such as through its beloved Hanna-Barbera, it could create a personal victory. Perhaps that’s why he’ll first target them.

  Let’s go for it!

  7:00 PM.

  Billy walked through the halls of the ese Theatre in Los Angeles, apanied by the elegantly dressed Monica Belluc a white dress adorned with Hawaiian flowers, while Billy sported a beach style. It was the first time Billy appreciated the warm California climate.

  -Billy. –

  -Billy. –

  The cameras fshed intensely as the media approached Billy, and for the first time, he was seen as unusually open in versation.

  -Good evening, everyone - Billy said.

  -Billy, what do you think of this film? - asked a reporter.

  -It’s a children’s film. I wrote the script myself, created the cssic drawings, and have a stable team with ample experien delivering quality. I only say that you will all love it… as many know, our market is for all audiences, but this one especially targets a younger audience, with edy, fun, and morals - Billy replied.

  -You’re adding a success - the journalist beside him ented.

  -I only create successes - Billy retorted with arroganobody said anything. Since he arrived in Hollywood, there have been no failures… thus, fear and the system of errors did not apply to the young man speaking.

  But there are always daring ones.

  -Do you guarantee a success? - the journalist questioned.

  -You already have your front page - Billy said, turning his back.

  Lilo & Stitbsp;was a hit for the following 92 mihe m, everyo in silence, reading the numerous reviews. Each marked a new dawn for the pany, which tio reshape the animation world. Without offense or provocation, Billy simply tio succeed.

  The space theme, addressing a general topic, was based on the affe of an author like Elvis. Part of the budget was allocated to this, with 3 millio on acquiring the twelve songs needed for the soundtrack.

  Rob Drenster from Dakota Mountain News:

  Aertaining and (three cheers) modest film that avoids most of the blockbuster trimmings that have been choking animated produs i years. It's a breath of fresh air, with no rehashes, as Lux Animation once again revolutiohe field, from 3D to giant robots in the Cold War, with stories featuring uniquely rare characteristics.

  Ted Cho from Chicago Reader:

  Smart, toug, and pletely enting… kids will line up to see it, as will the parents.

  Ransis Corliss from Time:

  A dazzling and engaging treat with half a dozen Elvis Presley songs for mom and dad, and enough cheekiness (Stitch sticks his tongue in his nose as his boogers) to make preteens ugh, and then it's sweet and lovely for all kids.

  Russell Hunt from Austin icle:

  This film is by no means a cssi absolute artistic terms, but as a reaffirmation of all the fotten truths, it is a resounding success.

  Jim Falk from BBC:

  Toug, funny, and quirky… the most anticipated for kids this Christmas, premiering on October 30th, in a curious dar amidst the stant horror films surrounding the season.

  Bruce West from Houston Daily:

  While they diligently tug at the heartstrings, Lux Animation directors tio bravely refiheir mix of strong character traits.

  Eli Sanders from San Diego News:

  Despite the weighty themes involved, this film remains highly eaining, filled with Elvis songs and ses that will make both parents and children ugh.

  Jeane Horwitz from the Washington Post:

  Fresh and rainbow-like as a Hawaiian sun shower at midday, Elvis is fantastic!

  Daphne Wright from Toronto Star:

  With its feel-good plot, superior art dire, and memorable characters, Lilo & Stitbsp;could very well bee one of those timeless Disney cssics, ohat will endure for decades and never lose its charm.

  Randall Ruez from Miami Herald:

  Both endearing and fun, Lilo & Stitbsp;is proof that Disney should break its own rules more often.

  ….

  -I’ve bought a few more - Jim Gianopulos told Billy, somewhat moved by the numerous reviews he saw around him. The result was evident with two simple stars of knowledge: the first, Jim was eager about the pany's success.

  -I’ve do. Now we just o keep moving forward. Aniohere were some challenges with the animated program - Billy said.

  -An initial problem. The situation will stabilize - Jim Gianopulos ented.

  ...