"Jerry Maguire" is one of those movies that mao ect with the audience due to the quality of the script. If we evaluate Jerry, he's someone who gs to the artificial, and it's this artificiality that allows Jerry Maguire to keep going without stopping to think about how he lives, acts, and why. When he has a different idea, he often ends up being saned, not fully uanding his position, falling prey to his impulses, and being guided to make mistakes. He's also guided towards learning to be with people beyond superficiality, or the vain idea of succumbing to lies, deceit, or insiy.

  From the moment Jerry keeps everything to himself, he fails to realize that friendship is a painful process, the truth we give to our friends. But Jerry doesn't know friendship or intimacy. He lives imprisoned by superficiality; empathy eludes him. That's why the innoce of a child shatters him, making him uand that he must be good. If we were to describe Jerry Maguire, we might say he's one of the most charismatic people around, but he's also a thh loser who be amusing.

  Oher hand, there's Dorothy, the woman who has always seen him from a distand who supported him in his time of he woman who was there at his lowest point aually accepted him. She even knew she would be with Jerry once he stabilized his life, guiding him further away from the simple path and teag him to love, to be part of a family, to uand that one must express their feelings and that a person must care for those around them. All of this was aided by Cuba, who despite being an ironic figure, is what Jerry o uand why he ot live in such a superficial retionship.

  It's a drama about the sports world that, through clever plotting, developed a romantic subplot that was excessively seal. Even the decision to hire Renée, supported by Billy's suggestion to Jim for the interview, was merely plimenting the film. From several levels of interpretation, the movie not only mao vey that optimistic idea about porary morals but also took a step away from the typical Ameri hero; the ordinary man, the man who needs a purpose, is better.

  -We have Michael Jordan ied in participating in a few ses. He's decided to get bato it but wants to have a chat with Billy. Even his friends want to meet him, - Richard Sakai ented.

  -Michael Jordan? Decided to be in a movie because he wants to have a chat with Billy? That's ridiculous; it's Michael Jordan, - Cameron ented, utterly perplexed. Something like this doesn't usually happen.

  -His ageiohat the Bulls team are die-hard fans of the 'Sm Dunk' id well, for them, it's an honor finally to meet Billy. He doesn't usually accept interviews and attends a few public events... It's hard to schedule meetings with him, - Richard Sakai said.

  Not far away, filming tinued with the camera assistants capturing the se where Rod and Jerry fight. For Rod, this is how friendship works: hoy without deception.

  Phidelphia Locker Room - Night (Arizona)

  Tidwell arrives, moving slowly with a bag of clothing.

  -How's your head? Bubbling, - Jerry/Billy ented.

  Tidwell sits in a wheelchair, signs an autograph, and moves forward. Jerry is beside him.

  -The quarterback stinks, man. He's gon me killed, - Tidwell/Cuba ented, still in character. He's a calm man, but wheeps into Tod's shoes, he's a real pain.

  -I'm a little worried, - Jerry ented.

  -I'm worried too. I'm worried that the only reason I'm here to have my brains blown out is that you weren't dumb enough to get my ten million three months ago, - Tidwell ented.

  -Damn it, Rod, you run your damn show! I got a damn cup for you in my notice, - says ahusiasti.

  With great skill, Tidwell pats the fan and moves him towards other tired pyers.

  -Peace, my drunken brother. Don't talk to me about gambling, - Tidwell/Cuba ents.

  The crazy fan moves on to another pyer. Jerry proceeds cautiously.

  -We still accept the offer, Rod, - Jerry ented.

  He pauses.

  -No, - Tidwell said.

  Jerry looks at his friend, a little puzzled.

  -Well, stay healthy. I'll show you the Kwan, - Jerry/Billy ented.

  Annoyed by Jerry's words.

  -Hey, that's my word, okay? - Tidwell said.

  -I'll see you in Arizona, - Jerry ented.

  -I'll have the game of my life on Monday Night Football and show all these sons of bitches, - Tidwell said.

  -Take care, okay? You're my entire t list, - Jerry said.

  -I don't know. Now go home to your wife. - Tidwell responds, guiding his gaze at Jerry, giving him that clear look that he should be a better man, somewhat judging him.

  -What's that supposed to mean? - Jerry asks.

  -Why are you here, man? You could have told me all this over the phone. - Tidwell questions on the side.

  -I don't know, how about some "itment" for an answer? - Jerry says.

  -You don't want to go home, do you? - Tidwell responds.

  -Why are you doing this, Rod? - Jerry ents.

  -I'm asking you a question... - Tidwell says.

  -No, you're not. - Billy interrupts his lines, showing clear disfort. Jerry isn't good with these uling topics.

  -I'm trying to talk to you. How's your marriage? - Tidwell says.

  Jerry looks at Rod for a moment. It's the simplest questio he doesn't have a quiswer. Cuba's smile pys with Billy's slightly flushed face.

  -Not everyone has what you have. - Jerry remarks.

  -So why did you get married? I'm asking as a friend. - Rod says.

  -You're attag me. - Billy shakes his head in response.

  -I'm sorry I asked. -

  -No, I'm going to answer you. Do you want an answer? I'll give it to you. - Billy says a bit mitated, Maguire-style.

  Defeated.

  -Loyalty. She was loyal. - Billy relutly admits. It all starts there.

  -That's an answer. - Tidwell ents. - Out of loyalty you get a dog, out of love you get married. - Rod/Cuba pitches in again, teasing Jerry in his mischievous way.

  -Look, I'm gd to eain you, as always, but I have a question for you. Are we really "friends"? - Jerry asks.

  -Why not? - Tidwell asks curiously.

  -Well, friends tell each other anything, right? If we put on our "friends" hats... - Jerry says.

  -I think so. - Tidwell cautiously ents. Jerry always has his strange ways.

  Jerry's eyes widen as he looks intensely at Rod, causing Cuba to uionally step back.

  -Listen. Here's why you don't have your ten million dolrs. You're a sary guy. You py with your head, not your heart. In your personal life? Heart... But when you step onto the field... - He points a fiowards Tidwell's head. - You're a businessman. Those are good lenses. It's always someone else's fault on the field, who screwed you over, who owes you for it. That doesn't inspire people, sorry, but that's the truth. you ha? Just a "question," Rod, between friends. - Jerry ents.

  Rod gives a pitiful look, somewhat weary, and responds.

  -You don't want us to be friends anymore. - Tidwell ents.

  -Fine. - Jerry says.

  Both are angry.

  -Are we still having dinner in Los Angeles? - Jerry asks angrily, while Tidwell grumbles in the background.

  -Just because my wife likes yours! - Tidwell ents.

  Jerry leaves, and Tidwell is angry. And hurt.

  -Heartless? Heartless? - Tidwell shouts at Jerry. - I'm all heart, you son of a bitch. -

  He gets on the bus.

  -Cut. - The se stops. It's five minutes of tinuous ag, six if you t the entire se.

  That's a great take, guys. - Cameron tells his team of assistants who hahe shot, going into some details.

  While Cameron praises his team, Richard Sakai approaches Billy to ask if he arrange a meeting; the details are on hand, and the proposal remains innovative. Billy has a good retionship with Philip Knight, and in simpler words, there's a close circle.

  -They want a meeting, maybe a business proposal. - Richard Sakai ents, unaware of the entire backstory between Billy and Michael, which is more a culmination of retionships from many pces, different from close retionships; they have several mutual friends.

  -Where are they? - Billy asks.

  -They're on vacation. But they're practig in Los Angeles. You go visit them. - Sakai says.

  -Finish rec here, and I'll take notes. - Billy ents, sighing inwardly. As a secret, he wants to buy the Los Angeles Clippers basketball team, the Los Angeles Gaxy, the San Francisco Giants, and even the San Francisco 49ers. He's made offers for all the teams to create a rge sports glomerate. Acc to calcutions, the Los Angeles Clippers are valued at 65 million, the Los Angeles Gaxy at 5 million, the San Francisco Giants at 100 million, and the San Francisco 49ers at 150 million.

  However, the San Francisco 49ers have been in family disputes since Edward J. De Bartolo died in 1994. Legal issues in the family persist, and it may be possible to resolve everything with a simple check. With Ameri football, basketball, and soccer teams, it would be enough for him. But a hockey team catches a lot of attention.

  ...