march 7.

  Billy left a relevant script about an adult TV show, tossing it in a key way; a edy script based on the union of three people. Billy had already established the method that would make the series famous, taking small, low-quality movements from ordinary short films.

  The call proposed by Jim Gianopulus for the creation of a short film first involved buying the cht, along with a job request to make a long series. Newers Trey Parker and Matt Stone readily accepted the offer of 15,000 for the cht and work on a rge series produ of at least 30 episodes.

  -It's fantastic how a small series be taken to a big series, - Trey Parker ented, visiting the eai office of executive assistant Anna Washington.

  Trey Parker, a big man, writer, swriter, and edian, has enjoyed some success over the past three years in some small and short produs. His raw sense of dark humor could be quite catchy for some people.

  -We want you to try to run this pany, of course with someone's help. Likewise, we invite you to be writers for the series if you believe you have the capability. However, our swriter has written 200 episodes. For now, the edic aspect is enough for us, - Anna Washington ented.

  Both of them were speechless, though selling the rights wasn't their thing; letting go of something of their ow a bad taste in their mouths. However, the invitation to direct, as well as the support to formalize their role as directors, reciated.

  -Thank you, Miss Anna, for this great opportunity, - Trey Parker said.

  -Business, the pany's business seeking new forms of animation, and new ways to ceive characters, now with puter stop-motion teique, and through the 2D program, is just another way to enhahe teical team's capabilities... Oher hand, we'll make a deal with edy tral. They'll help in a small part of the produ, and well, the show will be distributed on their programming. However, that iation must e to fruition, - Anna Washington ented, pleased with the way Jim had left his position in produ; it was evident that she too was beied.

  -Very well, Miss, I'll notify Matt so that we assemble a produ team with edy. We'll shoot the pilot in the ing weeks, - Trey Parker said.

  For the leaders of edy tral, their involvement with Lux Animation was a mystery.

  -Keep me informed; iations are progressing with edy tral, - Anna responded.

  ***

  The endless jouro acquire children's programming, and the inability to find children, highlights the need for a specialized el itted solely to children's animation. For now, Hit Eai, along with Sesame Workshop under Disney, has its own kids' el app.

  Once again, Jim Gianopulus, with the help of Saban Haim's produ, is spearheading animated el produ. Additionally, Sherly Leach, with the use of public television, has developed Barney programming airing on PBS, a el that dominates a signifit portion of children's television.

  -I still think it's not a very smart idea to delve into different time zones on different TV els, - Jim Gianopulus ented.

  With a smooth smile, Saban Haim gdly accepted the fact that Saban's programming was so refreshing and provided a clear stamp on children's television produ, which had flourished by taking on assigs. Lux Animation requested at least three fully animated children's programs.

  -It's Billy's idea. We've requested to buy PBS and create a public el for kids of better quality. Acquiring PBS Kids isn't something we desire, as the el aims to be freely distributed on public television, although some revenue be collected from advertising services. It all depends oher they're willing to hand over the el for Billy to expand educational television nationwide, - Saban ented.

  -I used to think the same until the National Television ission reviewed our proposal. They support the el's use as long as it participates in public television. Billy will ahe el to both publid private television. PBS didn't reject the purchase of lises and the maintenance of the non-profit el publicly, and a private el that delivers simir programming, - Jim Gianopulus ented.

  -Will there be any opposition? - Saban asked.

  -Not at all, as long as it follows the structure of a children's el and maintains the agreement. Everything else is just a matter of i for some parties. Maintaining a el is a cost, but children's animated television is cheaper due to its simple educational elements, - Jim, a total expert in the field of animated television, now w with Billy, whose main task is tanize everythied to els, movies, and distribution. It's the biggest fight in animation, and while it initially petes with Disney, it's Warhat stands in the way of Lux Animation. This is due to the massive merger between ABd Disney not yet pleted, the union of multiple panies and their corporate positioning, along with the loss of Frank Wells. Now, Jeffrey's position has disrupted Disney's stan the fight, and they only have the resources to tih their animated group.

  -Let's take a look, - Jim said.

  Children's series wo things: ral colors (bright colors ot be exposed to childreo their early development), and simple scripts, with words spoken as fluently and sloossible.

  They need something attention-grabbing beyond the spectacle, whether it's a bear, a dog, a dinosaur, a bird, or a man dressed in a certain way. Fashion ventions are simple, with colors like blue, green, pink, or yellow.

  The first series sists of 25 episodes and is an animal series. Using 2D animation, animals from a part of the jungle have animated adventures, like searg for an oasis, a lost animal's mother, delicious food, or forest phenomena.

  The series features children in a school setting, where they attend csses that lead them on adventures. For example, colored deometric shapes, and their faithful friend, an endearing puppy, used as a panion, where the children must give it instrus.

  Another series is a live performaeag everything there is to know about ps and stars, a slightly lrade dotary that's more educational than anything else. Still, it has cute animated drawings that make people ugh because of the presenter's humor. Each series has 25 episodes.

  ....

  I published a series that I have been writing for six months at a time, it is about Kenichi and Kengan Ashura. a crossover, that tains all my wishes about the series.