The movie about the seven deadly sins tio evoke fear, shaping the narrative with a terror deeply rooted in humaions. While not explicitly religious, it tained signifit symbolism, tapping into universal themes rather than a specific religious background. Amidst its simplicity, what was strikingly real were the fragile vis, all iwined with criminology, refleg the fear born of the emerging notion that many truths are tra ideas leading to a desperate end.

  -It's a palpable hatred, - Billy ented after finishing reading the script.

  -I don't like horror movies. They're different frur films; they delve into things that shouldn't be part of our lives. It's gloomy and sinister, - Gwyh said, visibly shaken by what she had read.

  In trast to Brad Pitt's behavior in the movie about a person on the edge, Billy's portrayal was more nuanced. He characterized his recklessness in various activities but refrained from being overly dramati his ses. Mills was depicted as affeate, proud, noble, and brave, but nowhere was he portrayed as foolish as depicted in some movies. He was calmer, a bit more fident. Billy attributes this to his preparation for the movie "Twelve Monkeys," where Brad had to focus on pying a character fined in a mental asylum. Performances tain nuances, and a single nuance ge the perspective of the entire idea. In his memories, Brad seemed somewhat nervous, somewhat agitated.

  In trast, Billy pauses, more subtle, behaving calmly, occasionally exalting aggressive behaviors, not specific to any occasion. Uher situations, where he appears aggressive, reckless, and impulsive based on the work of an older man, married and with behaviors of emotional blindness, this is the magic of ag.

  The inal ending of the first script had David Mills dying, but it has since been modified. The new ending is more critical to the audience, with the way the music emphasizes all the ses. It's a detestable and tragiding that has been revised five times and is now a secret.

  -Don't worry; the movie is progressing at a good pace. David's got a quick draw, - Billy replied, receiving a kiss on the lips from Gwyh.

  -Let's stop talking about the movie today. I just want you to be with me, to love me deeply, and fet about everything we've seen, - Gwyh said, sh Billy with kisses, eae a curious form of ematitimacy.

  -I like the fact that we keep ag together. You're a great actor; it seems impossible, but you move with naturalness, nothing surprising, but I truly appreciate that we tio advah the movie, - Billy replied, taking a moment by Gwyh's side, resting his nose against her neck as she ughed gracefully. Through the intimate gesture they shared, he gently stroked the nape of her neck. They no longer had the long locks they once did; Billy preferred Gwyh's hair cut short; it made her look more serious, stronger.

  -You'll draw tonight. You should stay with me, take a break. I have a feeling that when we left in December, you spent too much time at your desk, and it's not good. You need your moments of joy, - Gwyh said, pulling Billy close, pnting small kisses on his lips, which were different from their usual affeate dispys. The urained passion eagaged in was a far cry from the public personas they often portrayed.

  -Work is always something bothersome to do. It's not unpleasant, but at times, I wish I didn't have to tinue. A sabbatical year, free from all doubts, but it's the responsibilities that bind me. I have pns and several people under my care, many employees, executives, fans, and well, what motivates every man, - Billy said.

  -My love, work should be subdued. You o take a break. When you're older, you'll see that you o take a breather. We go toza, a remote cottage in the tryside, for five days, just you and me, discreetly hidden, with only a select few knowing about etaway, - Gwyh suggested, pg gentle kisses on Billy's .

  -You do whatever you want with me. No one doubts that you're a well-behaved person, - the blonde whispered slowly, lightly nibbling on Billy's neck, as she often did.

  -Your words are so sweet; you've made me tempted. I think I have some time after the movie; I don't believe there's a, meeting, or pce I o attend, - Billy replied, embrag the blonde who ughed.

  He could feel her ughter, how Gwyh's chest trembled beh her shirt. "It's a promise; let me take care of everything. The house is rge, and a close friend will join us. We'll bake cakes in the m and wake up almost at noon. Don't judge me; it's a desire for us to be together."

  -If I it to the trip, it has to be as private as possible. It would also be iing to make some extra stops. What do you think about walking around Bara, going up to Lyon, and expl some cities or towns? - Billy asked.

  -Yes, whatever you say. We ask for the family jet, - the blonde said, lying on his chest. - As long as it's a promise, although I have some work, nothing too demanding. -

  Both rested in each other's arms.

  ...

  Early in the m, they tinued with the shots, still reviewing, searg for a possible criminal, located in ay pizzeria that was subsequently filled with extras. They would make a deal to gather information about the red lists.

  The retionship with Man Freeman was mostly cordial; both operated from their perspectives. One is a married man, family-oriented, who takes life easy, without social pressures. The other is just starting; they are simir yet different.

  -Be careful, - a lighting guy ented.

  Billy sat with Man Freeman at the small table, both engrossed. In his thoughts, there was a slice of pizza in front of him. Who leaves pizza lying around?

  -You're quite the great swriter, - Freeman remarked.

  -You're right that I'm a swriter; I'm not sure how good I am at everything else, - Billy responded, helping himself to some pizza in front of him, satisfying his hunger. He haden sihe night before.

  -The New York Times might say you're a great swriter, a tent creator. There was retly an interview with some Pixar members about you as the lead swriter for the movie 'Toy Story,' - Freemaed.

  -You're correct; I wrote a signifit part of the script. Now everyone knows my life without me being present! – said Billy,

  -I e. I don't usually watch movies with pany, but this was what the family needed, something sweet and accessible. Great film. As for being part of the press or not, take it easy. You either do nothing or be part of the press. I prefer to stay on the sidelines and mingle on special occasions. No one wants an old man's life, although there's curiosity everywhere. – Man said.

  -We all have a story to tell; it's just that we don't know how to tell it. Sometimes it requires a certain art, a e that els all the tent. I'll look into the press stuff, but I'm not quite there yet, - Billy ented.

  -I agree... everything in its own time... -

  -We're starting in 5 minutes; everyoo your positions. -

  -Billy, that pizza was for the team, - David Fincher said.

  -Oh.-

  ...